Jamie forshaw | creative producer
Three time TONY-winning producer with over 25+ years in the industry currently Executive Producer for Madison Wells Live

Three time TONY-winning producer with over 25+ years in the industry currently Executive Producer for Madison Wells Live

I currently serve as the Executive Producer of Madison Wells Live, the theatrical division of Gigi Pritzker's Award Winning company Madison Wells, overseeing and expanding its slate of stage productions and entertainment ventures with an emphasis on positioning the division as a leading player in the theatrical space. Under my leadership, Madison Wells Live is focused on bringing to life purpose-driven projects through collaboration with partners who are aligned in the belief that good storytelling sparks important conversation.
The division has a robust-but-curated slate of stage productions and entertainment ventures focused on essential, artist-driven storytelling. Broadway credits include Good Night, and Good Luck (Tony nomination for Best Play); Swept Away; Water for Elephants (Tony nomination for Best Musical); Jaja’s African Hair Braiding (Tony nomination for Best Play); Shucked (Tony nomination for Best Musical); Company (Tony Award for Best Revival of a Musical); The Old Man and The Pool; Pass Over; Hadestown (Tony Award for Best Musical); The Inheritance (Tony Award for Best Play); and Million Dollar Quartet (Tony nomination for Best Musical). West End: Stereophonic; Hadestown (Olivier nomination for Best Musical Revival); The Motive and the Cue (Olivier nomination for Best Play); and The Ocean at the End of the Lane (Olivier nomination for Best Play). Off-Broadway: Mindplay; We Live in Cairo; The Big Gay Jamboree; Hold on to Me Darling; and Seven Deadly Sins (Drama Desk Award for Unique Theatrical Experience). Regional: The Thing About Jellyfish (Berkeley Repertory Theatre).
Over the course of my 25+ year career working with an array of internationally recognized producers, including Cameron Mackintosh, Thomas Schumacher, and Michael Cohl, I have become a sought-after specialist in managing high profile, multi-million dollar budgeted global theater productions. Most recently I served as Vice President of Production at Andrew Lloyd Webber’s Really Useful Group overseeing all First-Class productions across the world, including Love Never Dies (U.S. Tour and Japan), The Phantom of the Opera (Germany and Russia), Cats (France), Jesus Christ Superstar, and Evita (Austria). Prior to my tenure at Really Useful, I worked in a producorial capacity on Mary Poppins, Spiderman Turn Off The Dark, Rock of Ages and as Production and Programming Manager at The Park Avenue Armory.
I am passionate about creating and supporting original and diverse stories that reflect and challenge the world we live in. I excel at managing the creative, physical, and financial aspects of large-scale projects, collaborating with talented teams, and delivering high-quality and memorable theatrical events.
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